End of an Era - guest post by Michael Dolan

Well, maybe not an era. More of an interlude, or, since the topic is music, a passage.

What happened was, my band lost its rehearsal space.

You ain't miss your water `til your well run dry, and you don't appreciate free rehearsal space, well-lit and secure and situated downtown in the center of a block on the first floor of a thick brick structure in which a 10-piece outfit with five horns can whomp up a mess of noise that would get its members arrested anyplace but in a bar until your patrons politely suggest that since they've finally found a tenant after three years you, um, ought to remove your drum set and your Korg Triton and your mismatched herd of amps and your scarred Anvil box of wonders and your guitar rack and your snake's nest of Whirlwinds and your stacks of axes and your mic stands and your printouts of tablature and lyrics and your hundred-foot extension cords coiled like rappelling lines except for the ends wriggling to distant outlets and the plugs to the Ampeg BA115 and the Crate Club 30.

The horn players got off pretty light. The heaviest thing any of them tote is a trombone. So did Ian the drummer, since I own the drum set -- a relic of my son's brief dalliance with riddim, and in no small part the genesis of the band, since without that no name trap set Ian would have had nothing to jam on in my shed, which was where we started out two and half years ago. He didn't even take his sticks, just stuck `em in the random bag where random stuff goes.

Ian and Josh and I were working at the company that owns the building where we wound up rehearsing when I bought a wine-red Jazz four-string from one of the interns. The day we did the deal, Ian said, "Hey, I play drums, but I sold my set while I was in grad school." And Josh said, "Hey, I play guitar, but my guitar is in Pittsburgh."

As it happened I had the drums and a couple of guitars, as well as the newly completed shed in my backyard, and the first time the three of us jammed -- Ian on skins, Josh playing my ES335 through my Club 30 and me playing the Fender through a borrowed bass amp, it was like fingers interlacing. When Josh went home to Squirrel Hill the next weekend he not only brought back his Guild and his Crate, but he brought a little cube Crate bass amp that his brother no longer used.

Through the spring and summer we spent Sunday afternoons in the shed, sometimes as a trio, sometimes with more co-conspirators. One glorious June day there were six of us crammed in there jamming, from the 16-year-old keyboard ace to me thumping hammerhandedly at age 56. That afternoon there was nothing we couldn't play, from "Sugar Magnolia" to "Don't Let Me Down" to "Pink Cadillac."

Josh had to haul his Guild and his Crate. Tim took the Epiphone ES335 he'd been leaving rather than lug his Les Paul to and from the Hill. Rich has packing his congas down to a science